FADE IN
EXT WORKPLACE NIGHT
BUSINESS MAN’s workplace is a nondescript, unmarked office building. We see a parking lot devoid of most cars, save for one older model. One of the office doors opens in the distance, a lone man stepping out into the night. His feet drag a little, body bowed with the day’s stress. As we zoom in, we see his attire is a faded grey business suit and dark red tie, and he carries a dented leather suitcase. He makes his way towards the car.
We see the man arrive at the car’s side. He reaches down into his pockets. He fumbles for his keys, muttering something incomprehensible to himself. Finally he finds his lost keys in his pocket, and tries to unlock the door. After one or two misses, he succeeds in opening the car door, and climbs inside.
Now we see the man’s face for the first time through the front windshield. He’s not too old, maybe in his late 30s at most. He sighs dejectedly off to the side of the camera. He pauses briefly, and turns the ignition to start the car.
The engine revs, taking a few tries to start up in the cold night air. We see the car slowly chug out of the parking lot towards the nearby exit. He turns on his blinker, pulls up to the curb, and makes a right turn onto the main road, which is empty and devoid of other cars.
INT CAR NIGHT
We now see the man from the passenger seat. He reaches     down to the radio and flicks it on, and begins turning the dial through the stations. He scowls and shakes his head at the HARD ROCK, METAL, and POP music that bursts chaotically from the speakers. He rejects each station before settling on a light 60s MUSIC station. Once he finds the right station, he relaxes and smiles faintly, settling back into a glossy eyed view of the road ahead. He continues driving onwards.
Now we see the driver from within the car. He’s focused on the road ahead, and driving with a glossy look in his eyes. Suddenly he notices an odd source of colorful light off to the left of the road ahead. His eyes focus on the source of the lights.
From the driver’s perspective, we see a nightclub teeming with the younger generation, people dancing on the patio or talking energetically. We can hear LOUD MUSIC filtering out from the open doors. 
The driver’s attention focuses onto a large poster plastered repeatedly on the outside wall, of a rockstar playing his bright red and oddly shaped guitar.
We now see the man’s face inside the car closeup. His attention is still on the poster. He sighs wistfully, and his eyes take on a glossy look as he unfocuses. The camera pans over to the backseat. Now we see the same man dressed in a red tanktop shirt, holding the same bright red guitar as the poster. Part of his hair is dyed orange. All around him on the seat is sparkly confetti, and several empty beer bottles. Strobe lights are flashing outside the car, and the sounds of a CHEERING CROWD are heard. He is waving and blowing kisses to the crowd. A microphone swings into view from the passenger seat off camera, the man takes it, and raises it up to his mouth. He takes a deep, quick breath, about to sing.
The camera abruptly shifts back to the passenger seat. The man appears startled, the music and cheering disappearing. He slows the car down to a quick halt.
EXT CAR NIGHT
Now directly behind the car, we see nothing in the back seat. There’s a stop sign visible to the right. The right turn signal clicks on, and the man turns onto a side street. The camera pans up, following the car’s progress before focusing on the stop sign.
We now see the exterior of the car, viewed from the sidewalk as the car drives by. The street is otherwise deserted.
EXT LIGHTED INTERSECTION AND PARK NIGHT
We see a green light focused in the center of the frame. The camera starts to pan out as the green light turns yellow, then red. Panning to the side, we see a group of students playing football in the lit park. The man’s car comes up to the light with an audible SCREECH of the brakes.
INT CAR NIGHT
From the passenger seat, the man’s attention is diverted by the SOUNDS of the late night football game. He turns and looks at them through the driver’s window, the camera’s focus shifting from foreground to background to show the players.
From the man’s perspective, we now see one of the football plays in more detail. FOOTBALL PLAYER with a red jersey makes a long catch and tears off along the grass, smiling happily and YELLING.
We see the man’s face close up, and he lets out a wistful sigh. His eyes gloss over. The camera pans back towards the back seat. The man is now in the back seat, wearing a red football jersey and helmet, white pants, and cleats. Grass clippings and a whistle are visible on the seats as he slides and dodges back and forth. We hear the CROWD ROARING.
	ANNOUNCER
He’s doing it again, look at him go! The Quarterback lets loose a loooong Hail Mary…
The man catches a football tossed in from the passenger seat off camera. Upon catching the football, the CROWD crescendos louder.
Announcer
Wow! He caught it! The Super Bowl’s over! They’ve made history today! Unbelievable! It’s…
The crowd is suddenly replaced by the PIERCING HONK of the car behind the man at the same decibel level of the cheering.
EXT CAR NIGHT
Now we see the view from just outside the driver’s side of the car. The man is startled, the green light of the traffic light reflected off of the hood of his car. The car behind him is still HONKING at him. We watch as he jolts forward and drives through the intersection, the car behind him turning off to the right.
EXT WOODED ROAD NIGHT
We see a dark starry sky, the camera panning down to show the man’s car coming through the poorly lit section of the road in the woods. He drives past the camera off to the right.
INT CAR WOODED ROAD NIGHT
Focused on the road ahead, we see the man once again from the passenger’s seat. He’s squinting and trying to focus on the path ahead.
We see the driving from his perspective, the camera unfocused and attempting to discern the yellow road signs along the road. We see a couple such signs, signaling upcoming roads or special precautions to take.
What catches his attention is a small ‘Vote for Candidate’ sign on the side of the road. The camera focuses in and he slows down the car to devote more time to its study.
We now see the man’s face close up. He wistfully sighs and gets a glossy look in his eyes. The camera pans to the back seat of the car. We now see the man dressed up in a crisp navy blue suit, wearing a bright red tie. He’s seated in front of a podium bearing the Seal of the President of the USA, with several microphones pointed at him. He waves and smiles, red, white, and blue confetti sprinkled along the seats. CHEERING once again is heard. He holds up a newspaper with the headline “VICTORY” proudly proclaimed. Camera lights flash in the back window and from both sides of the car.
Abruptly, the view shifts to the Driver’s perspective. A car coming from the opposite direction is flashing its headlights at him.
We now see the driver from the passenger’s seat, angled back to show the back seat empty. He’s startled as the other car ZOOMS by in the background. The car cabin is plunged into darkness.
EXT DRIVEWAY OUTSIDE NIGHT
We now see the man’s car coming down the road, and slowing down. The blinker turns on, and the man turns into his driveway. He passes through the gates and into darkness.
EXT DRIVEWAY INSIDE NIGHT
We see the gravel driveway as the front left tire of the man’s car rolls to a stop into the frame. The camera rises up and reveals the man opening the car door, gathering his suitcase, and stepping out into the night air with a soft MOAN. The porch light off camera lights his front. He looks up from the gravel roadway towards his home.
We now see the man’s house from behind him. He shuts the car door, and begins walking up the walkway towards the front door as the camera slowly rises to keep him and the car in frame.
We now see the man just from the left of the door from the outside. HEAVILY BREATHING, the man steps up onto the porch, and reaches for the door wearily.
The camera focuses on the doorknob. The man’s hand reaches up to grasp it. The door suddenly opens, and a LITTLE GIRL’s face becomes visible. She smiles in recognition of the man. The camera zooms out to reveal the man’s WIFE entering the door frame to greet her husband with a bright smile and open arms.
INT HOUSE NIGHT
From just inside the door, we see the man’s posture straighten and his face brighten into a smile. He lets out a joyful LAUGH with his FAMILY LAUGHING too. He spreads his arms and walks off camera into the house. The camera focuses on the car in the driveway.
EXT DRIVEWAY NIGHT
We now see the car’s back seat from outside of the car on the left side, showing all three of the man’s alter egos looking towards the house. All three are smiling, and all three let out a happy, wistful sigh.
The camera cuts to the other side of the car, the backseat now empty again. We see the front window of the house lit up from within, silhouettes of the family animatedly moving on the curtains. The house window is framed within the back seat car windows. The camera pans upwards slowly towards the starry sky.
FADE OUT